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Hello friends..!! I'm Gopi Dervaliya, a student of English Literature, pursuing M.A from Department of English, Maharaja Krishnakumarsinhji Bhavnagar University.I've completed graduation from Gandhi Mahila College,S.N.D.T Women's University, Bhavnagar and I've also completed B.ed from District Institute of Teachers Education and Training Center(DIET),Sidsar, Bhavnagar. My all blogs are about English literature and language.

Tuesday, 23 January 2024

12th Fail by Vidhu Vinod Chopra

Hello everyone, I'm writing this blog on a recently released movie, '12th Fail' directed by Vidhu Vinod Chopra. As our movie screening committee decided to make a screening of this movie at our department and on the day of 13th January we had a screening of '12th Fail' and after the screening of this movie sir gave us a task to write a review. So, here I have try to write a blog on a wonderful and blockbuster movie '12th Fail' by Vidhu Vinod Chopra.
Introduction :

'Twelfth Fail : Hara Vahi Jo Lada Nahi' by Anurag Pathak

This movie narrated by Anant V. Joshi and cinematography by Randarajan Ramabadran, edited by Jaskunwar Kohli & 
Vidhu Vinod Chopra. Music given by Shantanu Moitra. Production company in Vinod Chopra Films and directed by Zee Studios. 

This movie was released on 27 October 2023 and the running time of this movie is 146 minutes and the language of this movie is hindi.

At the 69th Filmfare Awards, the film received 12 nominations, including Best Film and Best Director.

Here you can watch official trailer of '12th Fail' by Vidhu Vinod Chopra :



Through this movie we Learning that nothing is finished by losing once in life but by #restarting it, by working harder we can achieve anything difficult thing.

In the arid landscapes of rural India, the film '12th Fail' unfolds a narrative beyond academic scores, portraying the journey of Manoj Kumar Sharma. Directed by Vidhu Vinod Chopra, this biographical drama explores themes of education, societal expectations, and the transformative power of second chances.



Inspired by the true story of Manoj Kumar Sharma, a young man from Chambal, India, who stumbles at the hurdle of his 12th grade exams but embarks on a journey to defy limitations and fulfill his impossible dream of becoming an IPS officer. Critically acclaimed for its inspiring narrative, stellar performances, and realistic portrayal of rural life, '12th Fail' resonated with audiences and emerged as a box office success.

Theoretical Framework :

Through the dusty lens of social realism, the film unveils the stark realities of rural India. The camera lingers on the crumbling school building, a silent testament to the inadequacy of the educational system. We see mothers burdened by debt, families teetering on the brink of economic collapse, and societal expectations that cast a long shadow over individual dreams. '12th Fail' doesn't shy away from these uncomfortable truths, but instead uses them to fuel Manoj's fire, underscoring the transformative power of education as a tool for social upliftment.

Cinematic Symbolism :

# Mise-en-scene :

The film's mise-en-scene meticulously portrays the vast disparity between Manoj's rural hometown and the urban dreamscape he yearns for. The sun baked plains of Chambal, dotted with ramshackle houses and dusty classrooms, become a stark contrast to the gleaming, aspirational Delhi, which remains just out of reach. This visual juxtaposition underlines the societal and economic barriers Manoj must overcome.

# Cinematography :
 
The film's cinematography skillfully evokes Manoj's emotional journey. Handheld camerawork in cramped spaces during moments of self-doubt and societal pressure creates a sense of claustrophobia and entrapment. Conversely, wider shots with natural light bathe Manoj in moments of determination and self-belief, visually amplifying his resolve.

# Sound : 

The film's soundscape plays a crucial role in immersing the viewer in Manoj's world. The silence of the dusty classrooms intensifies the pressure of academic expectations, while the cacophony of the train station in Delhi signifies the overwhelming urban environment he must navigate. Music plays a vital role as well, swelling with emotion during moments of triumph and despair, further amplifying the film's impact.
 
Manoj belongs to a poor family, so we get to hear all his songs from classical background music like, Sitar, Sarod, Flute. While the influence of modern music is seen on Shraddha's solo songs like Piano, but when both of them are together, classical+modern music has been beautifully combined and presented.

Contextualization :

The film critiques the limitations of the Indian education system, highlighted by the dilapidated school building and rote learning methods. Manoj's journey exposes the pressure cooker environment where failing the 12th grade exam determines an individual's worth and future prospects. The film sparks dialogue about educational reform and the need for a holistic approach that empowers individuals beyond academic grades.

The allure of government jobs, particularly the IPS, reflects a deep-seated desire for stability and social mobility in Indian society. Manoj's pursuit becomes a symbol of hope for many youngsters grappling with unemployment and limited opportunities. The film raises questions about access to these coveted jobs and the need for ensuring equal opportunities for all, regardless of socioeconomic background.

The film subtly addresses caste prejudices and societal expectations that often restrict individual aspirations. Manoj's journey challenges established norms, highlighting the struggle of individuals from less privileged backgrounds to break free from societal shackles and pursue their dreams. It compels viewers to re-examine ingrained biases and strive for a more inclusive society.

'12th Fail' captures the zeitgeist of a generation yearning for self-actualization and breaking free from pre-defined paths. Manoj's story resonates with young people navigating societal pressures, financial constraints, and personal doubts. It offers a message of hope, emphasizing the importance of perseverance, self-belief, and education as tools for social change.

Thematic Study :

# Education :

Depicts the lack of resources and emphasis on rote learning, hindering true education.
Manoj's relentless pursuit of knowledge challenges societal notions that equate education solely with academic degrees. Emphasizes the empowering role of education in breaking free from social and economic constraints.

# Societal Norms :

 Manoj's journey becomes a symbol of hope for marginalized communities. Manoj defies societal expectations and pursues his dream, regardless of tradition. The film encourages viewers to break free from predefined paths and carve their own destinies.

# Failure :

Symbolism of the '12th Fail' certificate constant reminder of societal judgment and a catalyst for Manoj's self-belief.
Juxtaposition of academic failure and emotional resilience highlights the limitations of standardized tests and the power of intrinsic motivation. Manoj's journey challenges the stigma associated with academic failure and redefines success.

Comparative Analysis : 

Here I have try to compare with a prominent Bollywood films to explore its unique characteristics : 

 # "Dangal" (2016) :

  • Directed by : Nitesh Tiwari
  • Written by : Nitesh Tiwari, Piyush Gupta, Shreyas Jain, Nikhil Meharotra
  • Story by : Nitesh Tiwari, Divya V. Rao
  • Produced by : Aamir Khan, Kiran Rao, Siddharth Roy Kapur
  • Starring : Aamir KhanSakshi TanwarFatima Sana ShaikhZaira WasimSanya MalhotraAparshakti Khurana
  • Narrated by : Aparshakti Khurana
Here I have try to find similarities and differences in both the films : 

# Similarities :

Both films are biographical dramas based on true stories, featuring protagonists who overcome adversity to achieve their dreams. Both emphasize the importance of family support and the transformative power of sports and education.

# Differences :

'Dangal' focuses on overcoming societal expectations and patriarchal norms, while '12th Fail' delves deeper into the complexities of the Indian education system and caste inequalities. 'Dangal' is more emotionally charged, while '12th Fail' adopts a grittier, more realistic approach.

# Cultural Significance :

'Dangal' celebrates the power of women in Indian society, while '12th Fail' serves as a commentary on social mobility and the need for educational reform.

Conclusion :

'12th Fail' isn't merely a film; it's a potent tapestry woven with threads of hope, struggle, and social commentary. By delving into the story of Manoj Kumar Sharma, it transcends the genre of biographical drama and offers a nuanced exploration of human determination, the limitations of the education system, and the transformative power of education.

'2th Fail' is more than just a box office success; it's a film that leaves a lasting impression. It is a call to action, urging us to question societal norms, advocate for educational reform, and celebrate the inherent potential within each individual, regardless of their background or academic standing. For its impactful storytelling, raw authenticity, and thought-provoking themes, '12th Fail' deserves a place on the podium of contemporary Indian cinema.



Refrences :

12th Fail" Review: Vidhu Vinod Chopra Delivers Yet Another Hug of Hope That Is More Earnest Than Magical (The Hindu) - https://www.thehindu.com/entertainment/movies/12th-fail-movie-review-vidhu-vinod-chopra-delivers-yet-another-hug-of-hope-that-is-more-earnest-than-magical/article67460764.ece

"12th Fail" Movie Review: Deeksha Sharma - https://www.youtube.com/watch?v=2-zdhucd6YA


Pāṭhaka, Anurāga. Twelfth fail. NeoLit Publication, 2019.

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'Petals of Blood' by Ngugi wa Thiong'o

Hello everyone, I am writing this blog on one of the famous novels, 'Petals of Blood' by Ngugi wa Thing'o. Ngugi wa Thiong'o is a prominent Kenyan author, known for his literary works that delve into the complexities of post-colonial Africa. 'Petals of Blood' is known for its critique of neo-colonialism and the corrupt power structures that persisted in post-independence Africa.

In this blog I try to write on following two questions : 

∆ Please write a detailed note on history, sexuality, and gender in Ngugi’s Petals of Blood.

∆ Write a detailed note on “Re-historicizing the conflicted figure of Woman in Petals of Blood.

So, first we will discussing that who is Ngugi wa Thing'o ? 

• About the Author :

Ngugi wa Thiong'o


Ngugi wa Thiong'o, born on January 5, 1938, in Kenya, Ngugi has made significant contributions to African literature. He began his career writing in English but later embraced his native Kikuyu language to promote African cultural identity. Ngugi wa Thiong'o was born James Thiong'o Ngugi. He attended Makerere University in Uganda and later studied at the University of Leeds in the United Kingdom.

He initially gained recognition for his English-language novels, including 'Weep Not, Child' (1964) and 'The River Between' (1965). These early works explore themes of colonialism and the impact on African societies.

In the late 1970s, Ngugi adopted a radical approach, emphasizing the use of indigenous languages. He wrote his first major work in Kikuyu. Ngugi wa Thiong'o has held various academic positions, including at Yale University. His scholarship extends beyond literature to address issues of language, culture, and education in Africa.

• Famous Works :

'Weep Not, Child' (1964)

'The River Between' (1965)

'A Grain of Wheat' (1967)

'Petals of Blood' (1977)

'Devil on the Cross' (1980)

'Matigari' (1987)



• About the Novel :

‘Petals of Blood’


‘Petals of Blood’ is a novel by Ngugi wa Thiong'o, published in 1977. The story is set in post-colonial Kenya and explores the social, political, and economic challenges faced by the characters in a rapidly changing society. Here's a brief summary:

In Ngugi wa Thiong'o's 'Petals of Blood,' set in post-independence Kenya, we follow four main characters whose lives are interwoven by the Mau Mau rebellion and its aftermath. They each seek refuge in the idyllic village of Ilmorog, hoping to escape the turmoil of the city. However, Ilmorog itself is not immune to the changing tides of Kenyan society.

The narrative revolves around four main characters: Munira, Karega, Wanja, and Abdulla. 


Munira is a disillusioned teacher, haunted by his wartime experiences and questioning the true meaning of Kenyan independence. He clings to tradition while struggling to understand the rapid Westernization and economic exploitation in Ilmorog.

Abdulla is a former Mau Mau warrior grappling with the internal contradictions and failures of the revolution. He sees capitalism and foreign influence replacing colonial oppression, leaving Kenyans still disenfranchised.

Wanja, a young woman yearning for education and agency, clashes with Munira's patriarchal views and seeks self-determination in defying societal norms. Her journey highlights the struggle for women's rights and autonomy.

Karega, a radicalized student teacher, carries the torch of revolutionary ideals. He challenges Munira's authority and advocates for workers' rights, raising tensions in the community.

Each character represents different facets of Kenyan society as they grapple with the aftermath of colonialism and the struggles for independence. The plot unfolds in the fictional village of Ilmorog, where the characters' lives intersect.

Through their intersecting narratives, the novel explores various themes :

• Themes :

• Disillusionment with post-colonial reality

• Clash of tradition and modernity

• Politics and class disparities

• Education as a transformative tool

• Role of the Mau Mau legacy


The novel begins with the discovery of the gruesome murder of a prominent businessman, and this event serves as a catalyst for examining the deeper issues within the community. As the story progresses, the characters confront the harsh realities of corruption, exploitation, and disillusionment.

Ngugi intricately weaves themes of betrayal, exploitation, and the impact of foreign influences on the nation's development. The characters embark on a journey of self-discovery, seeking justice and meaning in a society undergoing profound transformations.

‘Petals of Blood’ is known for its critique of neo-colonialism and the corrupt power structures that persisted in post-independence Africa. Ngugi's storytelling blends political commentary with rich cultural elements, providing readers with a poignant exploration of the complexities of African identity and the struggle for autonomy in the face of external pressures.

Now, let's we turn to our main discussion:

∆ Please write a detailed note on history, sexuality, and gender in Ngugi’s Petals of Blood.

In Ngugi wa Thiong'o's 'Petals of Blood,' the exploration of history, sexuality, and gender is woven into the fabric of the narrative, offering a multifaceted examination of post-colonial Kenya.

• Historical :

Nicholls highlights the importance of intertextuality in interpreting the novel's engagement with history. He points to Ngugi's allusions to Shakespeare's Tempest and Sophocles' Oedipus Rex as not mere literary flourishes but deliberate engagements with Western narratives of colonization and self-discovery. These references complicate the portrayal of Kenyan history, forcing the reader to question received narratives and acknowledge the inherent power dynamics between colonizer and colonized.

Nicholls suggests considering the "clandestine intertext" of Kenyan women's struggles – particularly the role of female prostitutes who actively participated in the Mau Mau movement. This reframes Wanja's journey, potentially hinting at a subversive use of her sexuality for anti-colonial and revolutionary purposes. By acknowledging this underrepresented narrative, we gain a richer understanding of female agency and resistance in colonial and post-colonial contexts.

• Sexuality :

The article expands on the multifaceted nature of female sexuality in the novel. While Wanja's experiences of prostitution highlight the brutal realities of exploitation, Nicholls argues that she also wields her sexuality as a strategic tool for survival and even a form of protest against patriarchal and colonial systems. Her agency lies not just in choosing clients but also in subverting traditional expectations of female passivity and purity.

However, the article cautions against romanticizing this agency. Wanja's choices are born out of harsh circumstances and her interactions with male characters like Karega, despite his progressive ideals, reveal the persistence of ingrained power imbalances. This nuanced portrayal prompts us to recognize the complexities and limitations of female agency within historical and sociocultural contexts.

• Gender :

The article emphasizes the pervasiveness of gendered power structures in Petals of Blood. Women like Wanja and Mukami face constant marginalization and economic hardship, often bearing the brunt of historical and political upheavals. Traditional Gikuyu practices, while offering a sense of cultural continuity, are shown to perpetuate patriarchal norms that restrict female autonomy and mobility.

Nicholls also analyzes the novel's depiction of female solidarity and community spirit. Mukami's leadership in establishing a women's cooperative and Waceera's unwavering support for Wanja demonstrate the potential for women to challenge existing structures and forge bonds of resistance and mutual support. These threads offer a glimmer of hope for collective action and transformative change towards a more equitable future.

Despite the challenges, the novel also celebrates female resilience and resistance. Characters like Mukami find strength in community and collective action, demonstrating the potential for women to challenge the existing order and forge their own paths.

By combining insights from the novel and Nicholls' article, we gain a deeper understanding of the intricate dance of history, sexuality, and gender in Petals of Blood. The novel's complex narrative compels us to confront harsh realities of oppression, challenge simplistic narratives, and celebrate the resilience and resistance of those navigating the turbulent waters of historical trauma and societal transformation. This journey is far from over, and Petals of Blood continues to serve as a powerful tool for critical reflection and engagement with the ever-evolving dynamics of power, identity, and liberation.

∆ Write a detailed note on “Re-historicizing the conflicted figure of Woman in Petals of Blood.

In 'Petals of Blood' by Ngugi wa Thiong'o, the portrayal of women is a complex and multifaceted aspect of the narrative. Re-historicizing the conflicted figure of woman involves examining how the novel addresses the historical context, societal expectations, and the agency of female characters.

• Challenging the Dichotomy:

Roos argues that traditional analyses of women in Petals of Blood often fall into a reductive dichotomy – either portraying them as passive victims or triumphant rebels. This article instead proposes a "re-historicized" approach, considering the specific context and lived experiences of Kenyan women within the socio-economic and political realities of post-colonial Kenya.

• Wanja's Ambivalence :


Wanja, the central female character, exemplifies this conflicted position. Rooted in historical realities, Roos draws upon evidence of urban female experiences in late colonial and early post-colonial Kenya, including the prevalence of prostitution. This context re-frames Wanja's choices, not solely as forced submission but as a complex negotiation for survival and even a form of rebellion against the limitations imposed by traditional and colonial forces.

Roos highlights Wanja's agency, not just in her strategic use of sexuality but also in her connection to the land and her leadership within the women's cooperative. Her desire for education and her defiance of Munira's patriarchal control further demonstrate her active pursuit of self-determination. While recognizing the limitations imposed by gender and societal structures, the article emphasizes Wanja's resilience and her active search for agency within these constraints.

• Beyond Individualism :

The article underscores the importance of community in shaping female agency. Mukami's leadership in the cooperative signifies the power of collective action in challenging inequalities and creating spaces for female empowerment. This focus on solidarity and shared experiences nuances the narrative, moving beyond individual heroines and emphasizing the collective struggle for gender liberation.

Roos criticizes simplistic interpretations of Gikuyu traditions as solely oppressive to women. Instead, she suggests engaging with the complexities of cultural inheritance, acknowledging both its limitations and its potential for female empowerment. 


"Re-historicizing the Conflicted Figure of Woman in Ngugi's 'Petals of Blood'" offers a valuable challenge to simplistic interpretations of female experience in the novel. By considering the historical context, individual complexities, and the power of community, the article presents a more nuanced understanding of female agency and resistance in a world shaped by history, tradition, and the ongoing struggle for social justice. This lens enriches our reading of Petals of Blood and its relevance to contemporary conversations about gender, power, and identity in post-colonial contexts.


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Monday, 22 January 2024

Conducting Research

Hello everyone, here I am writing this blog on ‘Research Methodology’. In our semester 4 syllabus we have a book, ‘MLA Handbook for Writers of Research Papers’, which was 1st published in 2009 by The Modern Language Association Of America. And they have published two books on its documentation style: the 'MLA Handbook for Writers of Research Papers' (for high school and
undergraduate students) and the 'MLA Style Manual and Guide to Scholarly
Publishing' (for graduate students, scholars, and professional writers). 

In this book there are 10 chapters :

1. The Research Paper as a Form of Exploration

2. The Research Paper as a Form of  Communication

3. Selecting a Topic

4. Conducting Research

5. Compiling a Working Bibliography

6. Evaluating Sources

7. Taking Notes

8.Outlining

9. Writing Drafts

10. Language and Style

In this blog I am trying to write my understanding on a chapter of this book, ‘Conducting Research’.

∆ CONDUCTING RESEARCH :

In this chapter there are 9 sub topics :

1. The Modern Academic Library 

2. Library Research Sources 

3. The Central Information System 

4. Reference Works

5. The Online Catalog of Library Holdings

6. Full-Text Databases

7. Other Library Resources and Services

8. Web Sources

9. Summing up

So, let’s start the journey of this chapter….

1. The Modern Academic Library :

When you're on a quest for information, your trusty companion is often the library. Think of it as your reliable guide in the vast world of knowledge. Librarians carefully select resources, ensuring they're authoritative and high quality before adding them to the collection. Familiarize yourself with the libraries available to you, both on site and online, and make the most of the resources they offer. 

Modern academic libraries are treasure troves, providing resources in various formats: printed books, electronic materials, and even non-print media like films and sound recordings.

Libraries don't just hand you a map and leave you on your own. Most have orientation and instruction programs tailored to everyone, from newcomers to seasoned researchers. 

Now we meet the heroes of our research journey, professional reference librarians. These knowledgeable individuals man desks in libraries, ready to guide you. They can inform you about instructional programs, assist in locating sources, and share research guides specific to different fields of study. 

In simple words, the library is like a superhero base filled with different resources, and librarians are our superhero guides, ready to assist us on our research adventure. They make sure we have the tools and knowledge to navigate the library world and find the information we need.

2. Library Research Sources :

First up, there are electronic sources. Your library likely has electronic reference works and full-text databases, providing a digital treasure trove of information. They might even point you to helpful websites and have electronic versions of journals.

Next on the list are books and similar publications. Picture a vast collection of books, pamphlets, and maybe even dissertations neatly stacked on shelves. Books are like the superheroes of information for many projects. Some teachers might even insist we use books alongside articles, websites, and other materials. We can usually borrow most books from the library. 

Now, let's talk about articles and other goodies found in print periodicals. Your library gives you access to a bunch of articles, reviews, and editorials published in print periodicals. These could be scholarly journals, newspapers, or magazines, offering a wide range of perspectives.

Libraries are not just about books and articles. They also offer non-print sources like sound recordings and video recordings. Some libraries might even have unpublished writings, like manuscripts or private letters tucked away in special collections. It's like finding hidden gems that add an extra layer to your research journey.

So, the library is like an island with electronic wonders, shelves full of books, a magazine corner, and some hidden treasures like recordings and unique writings. It's a magical place where we can explore different sources to gather the information we need for your research.

3. The Central Information System :

In the world of academic libraries, there's a helpful online guide called the central information system. This guide is like a virtual compass, steering both students and faculty towards valuable research sources. 

Think of it as a catalog of everything the library holds – books, magazines, electronic stuff, and even audiovisual materials. This helps us see what's available for our research adventure.

Inside this virtual guide, you'll discover databases like the MLA International Bibliography and Science Direct. 

In this part of the system, we'll find electronic resources. It includes reference works, full-text databases, and recommended websites by the library.

The guide doesn't stop at resources; it also shares key info about the library itself – where it's located, when it's open, and its rules. It's like having a map to the library's treasure trove.

There's a database called WorldCat on the web. It lists what over ten thousand libraries worldwide have in their collections. So, if our library doesn't have it, WorldCat might guide us to a nearby library where we can find what we need.
So, the central information system is like a virtual guide in our library adventure. It shows you what's in the library, helps you explore databases, recommends electronic treasures, shares library details, and even has a backup plan (WorldCat) if our library doesn't have what we're searching for.

4. Reference Works :

When we're diving into a research project, a smart move is to check out reference works. These are like helpful guides that organize research materials by subject and give us essential details, such as who wrote it, the title, and when it was published. There are different types of reference works, and your library likely has them in both printed and electronic forms.

• Printed :

In the library, you might find printed reference works in a special reference room. General ones like dictionaries, encyclopedias, biographies, and more could be grouped together. Specialized ones related to specific subjects like biology, business, literature, or psychology might have their own sections. Annual volumes, like indexes and bibliographies, are usually arranged in order by the year they were published.

• Electronic :

Nowadays, reference works have gone digital. We can access them online or on CD-ROM/DVD-ROM. The cool thing is, you can search and use these electronic databases both inside the library and from the comfort of our own space over the internet. Some electronic platforms even let you search through multiple types of works in one go. For instance, Reference Universe lets us explore the indexes of over 10,000 reference works.

In simpler terms, think of reference works as our research sidekicks. They help us organize information, and we can find them in the library or online. Whether you prefer flipping pages or clicking links, both printed and electronic reference works have their unique advantages.

a. Reference Works That Provide Data about Research Materials :

Imagine these as treasure maps guiding you to valuable research materials. Indexes and bibliographies are lists of publications organized by subject. They can lead you to articles in newspapers, magazines, journals, books, and even websites. For instance:

• New York Times Index

• The Philosopher's Index

• Newspaper Abstracts

• Periodical Abstracts

• Book Review Digest

• Literary Research Guide

• Reference Guide to Mystery and Detective Fiction

In simple terms, think of these tools as your helpers in the library treasure hunt. Indexes and bibliographies guide you to articles, abstracts give you quick summaries, and research guides point you to important sources. If you're unsure, just ask your librarian or instructor for directions.

b. Reference Works That Give Basic Information about Subjects :

Dictionaries:

Dictionaries are like word guides, giving quick and concise definitions. For English words, you have the big players like Webster's Third New International Dictionary and The Oxford English Dictionary. If you're a student, you might find simpler options like The American Heritage College Dictionary or Merriam-Webster's Collegiate Dictionary handy. If you're learning another language, dual-language dictionaries like The New World Spanish-English Dictionary can be super helpful.

Encyclopedias:

Encyclopedias are like introduction books for subjects. General ones include The Columbia Encyclopedia, The Encyclopedia Americana, and The Encyclopaedia Britannica Online. For specific areas like psychology or philosophy, you can turn to specialized encyclopedias like The Corsini Encyclopedia of Psychology and Behavioral Science or the Stanford Encyclopedia of Philosophy.

Biographical Sources:

If you want to know about someone's life, biographical sources are your friends. For the living, there's Current Biography or The International Who's Who. For those no longer with us, you can explore American National Biography, Dictionary of Canadian Biography, or Oxford Dictionary of National Biography.

Yearbooks, Almanacs, Atlases, and Gazetteers:

Yearbooks: Like Britannica Book of the Year, they share facts about past years.
Almanacs: Think The World Almanac and Book of Facts, providing data on various subjects.
Atlases: Collections of maps, whether in print or online.
Gazetteers: Giving geographic info.

Statistical Resources:

If numbers are your thing, statistical resources are crucial. The U.S. government's Statistical Abstract of the United States is a goldmine. Other sources like American FactFinder and FedStats offer data on population, housing, economics, and more. International organizations like the United Nations also provide statistical yearbooks.

c. Searching a Reference Database 

In the world of research, there's a powerful tool called the MLA International Bibliography. It's like a giant list of studies in language and literature, acting as a guide for scholars. This bibliography comes in both electronic and print formats, each with its own set of benefits.

Versions:

•Electronic
•Print

Types of Searches in the Electronic Version:

• Author Searches
• Title Searches
• Subject Searches
• Expanded Searches

So, imagine the MLA International Bibliography as a treasure map for scholars. It helps you find studies in language and literature. You can explore it online, on CD-ROM, or in print. Search by author, title, or subject, and even expand your search for broader ideas. It's like having a key to unlock a world of research possibilities.

 5. The Online Catalog of Library Holdings :

a. Searching an Online Catalog
When using your school's online catalog, there are several ways to locate a book:

a. Author Searches:

Enter the author's full name to see a list of all works by that author. If you only know the last name, you can get a list of all authors with that last name.

b. Title Searches:

Entering the title provides a list of all works with that title. The catalog includes various types of titles, including books, journals, databases, and book series. You can enter part of a title for a broader search.

c. Subject Heading Searches:

If you have no specific author or title in mind, use a subject heading.
Most libraries use the subject headings from the Library of Congress. Subject headings can be broad or more specific, such as by country or region.

d. Call Number Searches:

If you know a work's call number, enter it to get bibliographic information about the book. For example, entering "PA817.B431992" provides details about "An Introduction to New Testament Greek."

e. Keyword Searches:

Conduct sophisticated searches using individual words regardless of their location.
Search for specific words in titles, subjects, or authors.

f. Boolean Searches:

Use Boolean logic (and, or, not) for more precise searches.
For instance, "nutrition and cancer" narrows down works related to both subjects.

g. Advanced Searches:

Online catalogs offer advanced search options, allowing you to limit results by publication year, library section, media type, and more. You can specify, for example, books in Spanish about cave paintings in Spain published between 1990 and 2000.

b. Bibliographic Information Provided : 

When you click on a book title, the screen reveals a bunch of details, like a sneak peek into what's inside. Let's break it down using an example:

Top Lines:

• Author's Name: Elaine Freedgood

• Full Title: The Ideas in Things: Fugitive Meaning in the Victorian Novel

• Publication Info: Published by the University of Chicago Press in Chicago in 2006

Book Details:

• Physical Characteristics: 10 pages of front matter (stuff before the main text), 196 pages of text, and a height of 23 centimeters.

• Additional Features: It has a bibliography and an index.

• Subject Headings: Words that categorize the book.

• ISBNs: International Standard Book Numbers, like book ID tags.

Extra Links:

• Hyperlinks: Clickable links to the electronic table of contents and info about borrowing the book.

• Borrowing Status: Tells you if the book is available in the main collection or another related collection.

• Call Number: This is like the book's address on the library shelf.

So, when you check out a book online, you see who wrote it, what it's called, when and where it was born (published), and even its physical features. There are also links to explore, like opening the book's table of contents or checking if you can borrow it. It's like having a mini tour of the book before deciding if you want to dive in.

c. Information Needed for Research and Writing :

When you're working on your research paper, you don't need to use all the fancy details from the library's catalog. You only need a few key things:

1. Call Number:

This is like the book's home address on the library shelf. You'll use it to find the book.

2. Author, Title, and Publication Info:

These are the stars of your paper. You need to know who wrote the book (author), what it's called (title), and when and where it was born (published). For example:

Author: Elaine Freedgood
Title: The Ideas in Things: Fugitive Meaning in the Victorian Novel
Publication Info: Chicago: U of Chicago P, 2006

For Your Works-Cited List:

When you're making a list of all the sources you used (works-cited list), here's how you'd write it:
Freedgood, Elaine. The Ideas in Things: Fugitive Meaning in the Victorian Novel. Chicago: U of Chicago P, 2006. Print.

If you're using an online catalog, there's usually an option to print or download this info. That way, you won't have to type it all out, and it reduces the chance of making mistakes.

Check the info against the actual book just to be sure. Sometimes, there might be tiny errors in the catalog info, so it's good to double-check.

In simple terms, when you're doing your paper, focus on the important stuff: where to find the book (call number) and the key details about the book (author, title, and publication info). 

d. Call Numbers :

Your library organizes books using a specific classification system, either the Library of Congress system or the Dewey decimal system. Knowing this system will make it easier for you to locate and understand the contents of books based on their call numbers. It will also help you navigate different sections of the library for browsing.

Library of Congress System:

A - General works
B - Philosophy, psychology, and religion
C - Auxiliary sciences of history
D - World history and history of specific regions
E-F - History of the Americas
G - Geography, anthropology, recreation
H - Social sciences
J - Political science
K - Law
L - Education
M - Music and books on music
N - Fine arts
P - Language and literature
Q - Science
R - Medicine
S - Agriculture
T - Technology
U - Military science
V - Naval science
Z - Bibliography, library science, and information resources (general)

Dewey Decimal System:

000 - Computers, information, and general reference
100 - Philosophy and psychology
200 - Religion
300 - Social sciences
400 - Language
500 - Science
600 - Technology
700 - Arts and recreation
800 - Literature
900 - History and geography

Understanding these classifications will assist you in finding relevant materials and exploring various subjects within your school library.

e. Location of Library Materials

When you search for a book in the library catalog, you'll not only get a call number but also information about where to find the book. Here's how to understand and navigate the location details:

Open Shelves and Closed Stacks:

Most books are on open shelves, easily accessible to the public.
If a book is in closed stacks, you'll need to request it using a call slip, and a staff member will help you find it.

Reserved and Reference Sections:

Reserved: If a book is reserved, it's required for a course and kept in a special section. You can't borrow it, but it's available for students in the course.

Reference (R or Ref): Books in the reference section are widely used and can't be borrowed. They must stay in the library for everyone's use.

Other Sections:

Libraries have specific areas for different materials, like:

Current Periodicals: Magazines and journals that are up-to-date.
Pamphlets: Small publications or booklets.

Non Print Materials: CD-ROMs, films, audio and video recordings.

Special Collections:
Some libraries have unique collections like rare books or government documents. These are kept separately from the main collection.

6. Full-Text Databases :

In today's academic world, libraries offer a treasure trove of databases, not just for finding sources but also for enjoying full texts. Here are some databases you might love, and how to use them:

AnthroSource:

Collection of scholarly journals from the American Anthropological Association. If you're researching folklore recording methods in the 1930s, use keywords like "folklore" to find related articles. Follow citations to other databases if needed.

ARTstor:
A visual feast with over 700,000 art and architecture images.
Perfect for studying things like Buddhist temples in Vietnam. Save images for your paper or class presentation.

Early English Books Online (EEBO):
A digital collection of 100,000+ books from 1473 to 1700 in England. Great for exploring fragile material, like early English ballads for a music history course.

EBSCO:
A powerhouse with various databases, like Academic Search Premier, Business Source Premier, Newspaper Source, and Masterfile Premier.

Awesome for current events research in science, business, and psychology.

Project Muse:

Offers recent issues of hundreds of scholarly journals in humanities and social sciences.
Useful if you're into topics like the propagation of native species.

7. Other Library Resources and Services :

Beyond the resources mentioned earlier, there's more to explore at our library:

a. Microforms:

Microforms are shrunken versions of printed materials created through microphotography. Types include microfilm, microfiche, and micro card, often used for preserving back copies of periodicals and rare books. They're stored in a dedicated library section and require special readers and photocopiers. Library staff can assist in locating and using microform materials.

b. Media Center:

Many libraries house a specialized section for audio and video recordings, including CDs, tapes, records, VHS, and DVDs.
These resources are typically for in-library use, but exceptions may exist. Some materials might be accessible for listening or viewing on the library premises or online.

c. Electronic and Other Resources:

Photocopying machines are available throughout the library, along with computer terminals for catalog access and internet browsing. Some schools may allow laptop borrowing for in-library use. Computer centers provide software for tasks like word processing, spreadsheet analysis, and more. Services may include high-quality printing, scanning, and even facilities for multimedia production.

d. Interlibrary Loans:

Libraries often have agreements to share materials regionally, statewide, nationally, or internationally. If your library lacks a needed resource, inquire about interlibrary loans. Your librarian can assist in initiating this process, saving time by borrowing from nearby libraries. Use Internet searches or WorldCat to discover which libraries hold the titles you're seeking.

8. Web Sources :

a. Diverse Web Sources:

The web is a vast space offering access to library catalogs, professional organization sites, government agencies, commercial enterprises, educational entities, and individual scholars. Materials range from historical papers to literary works, articles, and various audiovisual resources.

b. Using Recommended Sites:

Practice using the web for research just like you would with a library. Follow guidance from instructors, academic departments, or librarians in selecting reliable internet sources. Your library's website may have recommended links, and instructors or academic departments might have suggested sites.

c. Gateway Sites:

Librarians or instructors may guide you to metapages or gateways with links to other sites. Examples include Voice of the Shuttle, Crossroads, and Intute, which provide comprehensive subject-specific resources.

d. Searching the Web:

Utilize search engines like Google, Windows Live, and Yahoo! for finding information.
Learn advanced search strategies provided by these engines. Be specific in your searches to avoid irrelevant results. Consider the search engine's sorting criteria and how it aligns with your research goals.

9. SUMMING UP :

Your library is your trustworthy companion during research. Here's how to make the best use of its resources and services:

Library Resources:

Electronic Resources: Includes online catalogs, reference works, and databases for bibliographic and full-text information.

Books and Similar Publications: Explore a wide array, including pamphlets, for in-depth research.

Print Periodicals: Journals, newspapers, and magazines provide valuable insights.

Additional Sources: Don't overlook resources like sound and video recordings.

Library Services:

Media Center: A hub for multimedia resources.

Photocopying Machines: Handy for reproducing relevant materials.

Access to Computers: Utilize computers for various research needs.

Software Applications and Hardware: Explore available tools like printers and scanning devices.

Interlibrary Loans: Access resources beyond your library through interlibrary loans.

Useful Web Sources:
Instructor and Librarian Recommendations: Look for sites suggested by your instructors and librarians for reliable information.

Gateway Sites: Explore comprehensive platforms recommended for research.

To excel in your research, get acquainted with your school library's electronic and print offerings, and leverage its diverse services. Additionally, explore recommended web sources for a well-rounded research experience.

Thank you...

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